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The plot rises and crashes on Khan’s pristine, often spectral voice, which navigates the ins and outs of heartache and tragedy with a disquieting serenity, as if she’s still waiting at the crash site in her wedding dress, long after her love has gone, embittered and alone.
— On their fourth full-length, Finland’s Oranssi Pazuzu consolidate their claim on the figurative space between atmospheric black metal’s thin air and blackgaze’s celestial strain.
The ECM label has traditionally specialized in gentle, tonal jazz with New Age and crossover-classical predilections: Keith Jarrett, Pat Metheny, Gary Burton.
This album, like the label’s best music, resists settling into familiar modes or moods at every turn, lending itself to endless reinterpretation by the receptive, patient listener.
She kneels in prayer at the temple of FM, imagines herself rolling with Diddy, sings to cut-and-paste hip-hop rhythms—and, apart from offhand references to Hank Williams and Johnny Cash on the ode to highway radio, not one of these signify as country, which Morris nominally is.
Morris never pretends to be a honky-tonk angel—she’s not a throwback like neo-traditionalist Margo Price—but she seems unmistakably country on .
In Moodymann’s brilliant, 30-track mix, groove trumps genre and sonic cohesion is more likely to be found in claps, cymbals, and hi-hats, than it is in booming four-on-the-floor (though there’s plenty of that in the latter half).
He creates sweeping contrasts with creeper vines of bunched-up piano clusters, muted Rhodes splats, and electroacoustic tremors.Frank Ocean resurfaced, and the Avalanches finally returned. Here are our favorite albums of the year—the ones that helped us get through it all.There’s no greater sense of awe and mortality in a man than witnessing the birth of his first child.Night becomes day, the sea becomes the sky, sepia turns Technicolor.These are the moments that make mixes what they are, that remind you of the worth in human intellect and soul over the algorithms that assemble our playlists.
The band’s unerring sense of inertia neatly balances these proggier touches with a steely compositional sense.